Nymphaea is one in a set of 7 works made under the title Ethereal Information. These works are Pure data patches, and they are generative sound works functioning by the rules of partially fixed algorithms. Each of the patches leaves the space for user’s input that will influence certain aspects of the work. Patches can be used under the Creative Commons Attribution license, as part of other works, in installations, galleries, public spaces or wherever you find them suitable.
These works are highly minimalistic. They praise the simplicity of production and effectiveness of realization. They are to be appreciated for their audible but as well visual content that is in this case the structural element of the work that reveals work’s internal characteristics.
Download Pure data here: https://puredata.info/downloads
My new work Desire was made in dialogue with African, European and pop artists from around the world for Norient Sounds exhibition «Seismographic Sounds – Visions of a New World»
Quite some time ago, in 2008, together with a group of local artists who were interested in free improvisation and with a friend with whom I studied at Music Academy in Belgrade, I organized in Student Cultural Center, series of events dedicated to experimental music and improvisation in art - Šalter.
Miniature musical scenery. An intimate, acoustic, battery powered musical improvisation - an idea I wanna take further.
This is a first programming that I ever done, 4 years, 4 months ago. Tomorrow, February 9 2013, I am starting to teach a Pure data course at School of Electrical Engineering and Computer Science in Belgrade. I guess I made a fine progress in 4 years...:)
Drip music no. 2 was a work that I made during the course Connecting Pure data and Processing at Sibelius CM&T in Helsinki in 2008.
At the moment, I am working on a new piece that will be performed EXACTLY on my birthday, next week on April 21, in Rovinj, Croatia. The piece is called as the title of this post says - Bourgeois, and it is inspired by two bigger ideas.
The title above was a name of theinternational seminar that I participated and that took place at Orpheus Institute Center for Music Research in Ghent, Belgium in February this year. I had a wonderful opportunity to present a part of my work Embodied composition - Treatment and meaning of physical object in experimental music and sound art, to many composers and theoreticians that participated the seminar. The title of my presentation was Thingification of compositional process - Emergence and autonomy of physical object in Western Art Music.