PROFESSOR OF CREATIVE MUSIC TECHNOLOGY
Hochschule für Musik FHNW, Basel
Hochschule für Musik FHNW, Basel
Subjects: Aesthetics and Techniques of Electronic Music, Introduction to Electronic Music, Audio-design Seminar, Ear-training in Electro-acoustic music, Sound art, Individual lessons (electro-acoustic composition, live electronic music performance)
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Am 29. Juni 2022 sind Studierende von sonic space basel zu Gast bei «Classical and Jazz Talents», der Themenwoche von Radio SRF 2 Kultur: Audiodesign-Studierende aus der Klasse von Svetlana Maras haben exklusiv für Radio SRF 2 Kultur elektroakustische Radiokunst komponiert. Ab 20.00 Uhr sind zunächst vier dieser Radio-Kompositionen zu hören. Im Anschluss wird ein Live-Elektronik-Set des ESB Noise Ensembles übertragen sowie die Uraufführung von "Welcome to the radio!" von Dakota Wayne – eine fiktive Talkshow, für die er u.a. Jingles von Radio SRF 2 Kultur gesamplet hat. www.sonicspacebasel.ch |
INTERACTIVE SOUND
music+technology workshop for kids
music+technology workshop for kids
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This workshop is aimed towards children 7-12 years old. It employs the use of modern technology in order to create a better comprehension of the ways of musical creation in contemporary socio-technological context, and the modes of musical interaction with the use of digital technology. Through learning of the basic programming skills and working with the modern technology, children will discover immense possibilities of interacting with sound and will be stimulated to think creatively and go beyond the conventional understanding of what music is. In the learning process that is motivating and entertaining, children will be introduced to the newest innovations in the domain of electronic music.
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Teaching units: Scratch, TouchOSC, game controllers, sensor technologies, MakeyMakey, Ototo, Littlebits, Bare conductive, Mogees...)
Project grant awarded by the Center for Promotion of Science, Serbia
MORE PHOTOS
Workshops at: Espace Multimedia Gantner, Bourogne, Children Make project - Cultural Center, Belgrade, CSU, Naucni klub, Kragujevac , Radar Festival, Varna, IZBA, Novi Sad, Center for Promotion of Science, Belgrade, Museum of Science and Technology, Belgrade, Ljudmila, Ljubljana
INTRODUCTION TO EMS SYNTHI 100
Masterclasses at Electronic Studio Radio Belgrade
Masterclasses at Electronic Studio Radio Belgrade
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As head of Electronic Studio at Radio Belgrade, I guided artists through their residencies in the studio. Each residency would start with an introductory course where we learn all the necessary things that one needs to know in order to work with Synthi. This masterclass was one-on-one, very intensive and it was usually spreading throughout two days, 2.5-3h a day. There are a lot of technical details to be grasped all at once, and the student/artist gets to try out everything that's being mentioned, directly on the instrument. As theoretical support for the masterclass, a printed edition of Paul Pignon's Manual was used and the students were advised to read through it before the course. After this course, students/artists are considered to be ready to continue their work in the studio independently. Prior experience of working in music studio is expected, working with modular synthesisers is a plus.
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FREE FLOW MUSICAL DATA
Pure data programming for beginners
Pure data programming for beginners
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This course is meant for musicians or music enthusiast who have none or very little experience in object programming. During the workshop the basics of Pure data programming will be covered while focusing on audio and building of interfaces for musical performance that can be controlled using wide range of external controllers. The course ends with presentations of demo projects that have been developed during the course.
This course is not meant to make you an amazing programmer, but rather a great musical thinker who will be able to use PD as a tool in production of original works. This course should open your mind to realize that there are many amazing possibilities that you can have for free, that can spare you of buying expansive musical equipment - it just takes creative thinking and a bit of programming. To be able to adapt technology to your own needs is to be free of making compromises with your ideas and keep the originality of your work. |
VIDEO
Workshops at: VISER, Belgrade, Ljudmila, Ljubljana, Kuda, Novi Sad, Resonate, Belgrade, Define festival University, Jarplund, Hochschule fur Musik und Theater, Hamburg,Radiona, Zagreb, Rhizom, Zurich, SMEM, Fribourg
ARMONIAPOLIS
Workshop for sound artists, musicians, music enthusiast
Workshop for sound artists, musicians, music enthusiast
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Armoniapolis is a musical concept that provides a way to re-compose urban sound environment with the use of short textual instructions. By following the given instructions as a performing and listening guide, the city soundscape becomes musical composition, uniquely interpreted by each person.
The goal of Armoniapolis presentation and workshop is spreading the Armoniapolis concept worldwide and through forming of a network with local cultural institutions, building an expansive Armoniapolis community. The focus of the workshops is increasing awareness of our sound environment and collecting the materials for Armoniapolis booklet and website. Workshop consists of theoretical part, sound walk and exercises (writing of Armoniapolis instructions) |
Publications:
“Armoniapolis: Event scores as a method of deconstruction and recomposition of urban soundscapes”, The Global Composition Conference Proceedings, Darmstadt 2012
“Recreating the underwater soundscape in the Vrouw Maria virtual simulation”, Spoils of Riches – The stories of the Vrouw Maria and the St. Michael, exhibition catalogue, The Maritime Museum, Finland 2012
“Armoniapolis: Event scores as a method of deconstruction and recomposition of urban soundscapes”, The Global Composition Conference Proceedings, Darmstadt 2012
“Recreating the underwater soundscape in the Vrouw Maria virtual simulation”, Spoils of Riches – The stories of the Vrouw Maria and the St. Michael, exhibition catalogue, The Maritime Museum, Finland 2012
Workshops, presentations at: The Global Composition Conference, Darmstadt, O3one gallery, Belgrade, ISEA2014, Dubai, Science Center, Petnica, Festival of light, St. Petersbug
WWW.ARMONIAPOLIS.COM
EXPERIMENTAL MUSIC / SOUND ART / SOUND IN NEW MEDIA
Lectures on experimental music, sound art - historical overview, current tendencies
Lectures on experimental music, sound art - historical overview, current tendencies
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The topics of these lecture encompass relationship between sound, modern technology, other fields of arts.
1) Overview of the newest technological tools that became part of the contemporary practices related to live electronic music, interactive sound installations, sound objects and building of new interfaces for musical expression in the context of sound art, electronic and experimental music, media arts 2) Overview of the current tendencies in sound arts and experimental music, elaboration on different approaches through examination of various modes of representation These lectures should serve as a platform for further thorough exploration of the topic that would take place after this introductory lecture. The lectures are aimed towards students and enthusiasts working with sound and music and/or in other fields of art. |
Lectures at: SAE Institute Belgrade, SAE at Exit festival Novi Sad , MOTA Ljubljana , Science Center Petnica, Radar Festival Varna, Museum of Science and Technology Belgrade, Inter Arts Center Malmo, Music Academy Basel
