JAZZ / FIVE STRING SCULPTURE
TABLE BOOK / RAMP / RADIO CONCERTS
CONVERGING HORIZONTALS /POST-EXCAVATION ACTIVITIES
48kHz / IL TEMPO INSASSATO CHE PUR SCORRE /
L'AMPLEUR DU SOUFFLE / IMPROBABLE RESONANCE
MATTER OF FACT / ARMONIAPOLIS / MODULATION BOX
SOUNDSCAPE CABINET / WASSER / EMBODIED COMPOSITION
PHONART RADIO WALK / WORD OF MOUTH / 0%LOADING
PENDULUM MUSIC / BOURGEOIS
2 KINETIC STUDIES / POTENTIAL NUMBER POLYPHONY
QUARTET TO GO
Electro-acoustic, electronic, works for radio, for orchestra...
all photos copyright protected. not to be used without permission
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important phases in live set development: 2016 (Audio Art, Pula ), 2017 (Ear we are - Biel), 2018 (ZHdK & Ars Electronica), 2019-2020, 2022-2025
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SELECTED PERFORMANCES: Haus der Kunst Munich, Ars Electronica, HEK Basel, Ear We Are Biel, Ruhr Triennial, Blurred edges Hamburg, Ausland Berlin, A38 Budapest, Ring-ring Belgrade, Espace Multimedia Gantner, Stadttheater Bern, KM28 Berlin, Moods Zürich, Izlog Suvremenog zvuka Zagreb, Onassis Cultural Centre Athens, Museum of Transitory Art Ljubljana, Museum of Contemporary Art Belgrade, Zürich Art University (ZHDK) Institute for Computer Music and Technology, HfMT Hamburg, Simultan festival Timisoara, Klanghaus Untergreith, Exploratorium Berlin, Quiet cue series Berlin, Audio Art festival Pula, Alte Schmiede Vienna, Interpenetration Graz, Koncertkirken Copenhagen, FrimSyd series Malmo, Pohoda - Visegrad stage Trencin...
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Recordings of live performances
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Release: May 12, 2023
Format: cassette + digital Buy on Bandcamp / Kudos Stream via Spotify / Apple Music «The nearly infinite improvisational potential in my performances is a result of tweaking the technology, using it in unpredictable ways, musically exploiting it, and maybe even misusing it.» 
Music by Svetlana Maraš Recorded at Il Circolo del Frattempo, Zurich, 2019 Mastered by Manuel Oberholzer Artwork by Marko Vuleta-Djukanov Graphic design by Rebecca Morganti-Pfaffhauser All rights protected |
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Live recording of the performance at the Ear We Are Festival in Biel, Switzerland, February 3, 2017
Setup: computer + controllerscreditsreleased December 10, 2020 All music by Svetlana Maraš Editing, mastering by Svetlana Maraš Published by CHINCH - Initiative for Contemporary Music All rights protected |
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Tracklist:
Laurie Spiegel - Patchwork (The Expanding Universe)
Hildegard Westerkamp - Kits Beach Soundwalk
Valerio Tricoli - Angolazioni Inusuali Della Tua Camera Da Letto
Rashad Becker - Dances V (Traditional Music of Notional Species Vol. II)
Nicola Ratti - L6 (The Collection)
Toshimaru Nakamura - Nimb 2 (No-Input Mixing Board)
Neo Hülcker - ASMR
Ana Gnjatović - Speak low 1
Glenn Gould - The Solitude Trilogy (excerpt)
Beatrice Dillon and Rupert Clervaux - The Same River Twice (Two Changes)
Glenn Gould - The Solitude Trilogy (excerpt)
Robert Lippok, Soojin Anjou, Askat Jetigen,- Winter into Spring (Gletschermusik)
Manja Ristić - South Porat - Throwing rocks, Boat (Silba Soundmap)
Hiroshi Yoshimura - Rain Dance - Rain Mix (Wet Land)
TRIVIA: I made 2 mixes in my life. Except for this one up, this mash-up is another one. That's it.
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Alva Noto - m01 & Witold Lutoslawski - Interlude
William Basinski - The Disintegration Loops II & Yosunao Tone - Solo for wounded CD Part II
Emptyset - Limit & Gyorgy Ligeti - Chamber Concerto (III)
Aphex Twin - Blue Calx & Daphne Oram - Pulse Persephone
Philip Jeck - Wholesome & Milan Knizak - Composition No.3
Toshimaru Nakamura - Nimb#49 & Anton Webern - Piano Variations Op.27, no.1
Ryoichi Kurokawa - Read#2 & John Cage - Empty Words
James Hoff - Scratch & La Monte Young - Drift Study
North American premiere at MoMA, DocFortnight 2020
* Best film at Beldocs - International Documentary Film Festival 2020
Told through a masterful soundscape of words, music, and effects, Marija Stojnić’s documentary is a paean to Radio Belgrade, one of the oldest radio stations in Europe and the only surviving station in Serbia to offer rich cultural, scientific, and topical programming. Drawing upon 90 years of archival sound, including radio dramas and talk shows, the film evocatively recalls Yugoslavia’s golden age of radio broadcasting even as it portends the public station’s uncertain future in our increasingly authoritarian times.
* Best film at Beldocs - International Documentary Film Festival 2020
Told through a masterful soundscape of words, music, and effects, Marija Stojnić’s documentary is a paean to Radio Belgrade, one of the oldest radio stations in Europe and the only surviving station in Serbia to offer rich cultural, scientific, and topical programming. Drawing upon 90 years of archival sound, including radio dramas and talk shows, the film evocatively recalls Yugoslavia’s golden age of radio broadcasting even as it portends the public station’s uncertain future in our increasingly authoritarian times.
FOUNDRY OF POEMS / LIVNICA PESAMA (2017)
by Deana Petrović
Music for immersive, large-scale, multichannel audio-visual installation
6-channel video, 4 channel sound
www.foundryofpoems.com
by Deana Petrović
Music for immersive, large-scale, multichannel audio-visual installation
6-channel video, 4 channel sound
www.foundryofpoems.com
Large-scale multimedia installation, made of video projections and multichannel sound. It takes abandoned industrial space and turns it into immersive sensory experience, inviting the audience to re-inhabit this hybrid space by moving freely through the installation. The main actors of the videos are workers-poets. Their poetry deals with the deep existentialist questions of working-class life and the position of the worker as individual in the production chain. To create a hybrid space, we are using a system for spatial (mapped) video projection and 4-channel sound system.
RADIO JINGLES
Radio - Television Serbia, Radio Belgrade III
Radio - Television Serbia, Radio Belgrade III
Listen / Download
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All rights protected by SOKOJ / SUISA